[artist profile]
Bertille Bak (Arras 1983) is a French artist based in Paris. She pursues a sociological and political, if not ethnological, perspective. Bak expresses an art of relationships aimed both at communities whose members are more or less aware of their identities, and at minorities often forgotten and neglected. During her numerous visits and long stays within the respective communities, Bak builds interpersonal relationships to raise awareness of the social utility of people and groups. Through the sharing of everyday life, of the study of the territory, the analysis of the social relationships, the culture, the traditions and of the economic organization, Bak takes on the role of a social provocateur putting herself forward as a critical conscience to raise political awareness among her interlocutors. The result is collective portraits with an unconventional twist, often based on the research of individual mythologies, in a determined attempt to preserve the traces of memory. It is not by chance that Bak worked at the École Nationale des Beaux-Arts in Paris as a student of Christian Boltanski.
Bertille Bak’s works are present in many public and private collections, including at Bourse de Commerce – Pinault Collection, FNAC – CNAP, FMAC Paris, FRAC Aquitaine, FRAC Alsace, FRAC Basse-Normandie, FRAC Limousin, FRAC Rhône-Alpes / Institut d’art contemporain Villeurbanne, FRAC Provence Alpes Côte d’Azur, Musée Nationale d’art moderne_ Centre Pompidou, Musée d’art moderne de la ville de Paris, Musée d’art contemporain du Val de Marne_ Mac/Val, Musée des arts contemporains du Grand-Hornu, Collection Neuflize Vie ABN/ AMRO, Fondation Louis Vuitton pour la création, Artis, EMST National Museum of Contemporary Art, Athens, FMAC Genève (CH), Collection de la Ville de Vénissieux, Collection Frey_Grande Finale_Fréland
[selected works]
POWER CORON, installation view at Louvre Lens Museum, 2023
Mineur Mineur, installation view at Fondazione Merz, 2022. ph. Andrea Guermani
Itinerario bis, installation view at Fondazione Merz Torino, 2019, ph. Renato Ghiazza documenta 14, Rayonnage, 2009-14, wool on canvas, Collection National Museum of Contemporary Art, Athens (ERMST), installation view, ANTIDORON. The EMST Collection, Fridericianum Kassel, 2017 Boussa from the Netherlands (2), 2017, bottles on shelves, a series of 5 glass bottles containing painted shrimp eyes, cork, metal, 105×26 cm. ed. 6+1AP, installation view at Present Future Artissima 2017 Usine à divertissement, 2016, video triptyque, 20 min, ed. 6+1AP, production for BIM Genève 2016, installation view at The Gallery Apart Rome installation view at Musée d’Art moderne de la Ville de Paris, 2012
La Brigada, 2017, video, 13 minutes 16:9 stereo, ed. 6+1AP Boussa from the Netherlands (1), 2017, video 19 min 16:9 stereo, ed. 6+1AP, project for Present Future at Artissima 2017, video still Boussa from the Netherlands (3), 2017, video 2,28 min 16:9 stereo, ed. 6+1AP, project for Present Future at Artissima 2017, video still Usine à divertissement, 2016, video triptyque, 20 min, ed. 6+1AP, production for BIM Genève 2016, video still Radice, installation view (ground floor), ph. Giorgio Benni Untitled, block #13, 2014, black pen on paper, 3 m, ph. Giorgio Benni Untitled, block #16, 2014, black pen on paper, 9 m, ph. Giorgio Benni Les complaisants, 2014, hair marquetries, metal frames, production Le Grand Café, Centre d’art contemporain, Saint-Nazaire installation view at The Gallery Apart Rome, ph. Giorgio Benni Les complaisants, 2014, hair marquetries, metal frames, production Le Grand Café, Centre d’art contemporain, Saint-Nazaire installation view at Le grand Café Les complaisants, 2014, hair marquetries, metal frames, 17,5×22,5 cm, series of 35 unique pieces Le tour de Babel, 2014, video 16:9 stereo, 22 min, ed. 5+1AP, production Le Grand Café_ centre d’art contemporain_ Saint-Nazaire, video still La marée mise à nu par ses célibataires, même, 2014, in collaboration with Charles-Henry Fertin, electromechanical packages, glossy paper prints, 11 x 16 cm, unique, installation view, production: Le Grand Café, Centre d’art contemporain, Saint-Nazaire Notes englouties, 2012, electronic circuit, computers, pushbuttons, metal, color prints, interactive map, subways of Paris, Rome, Madrid, Berlin and Londres, 130 x 115 x 44 cm each Transports à dos d’hommes, 2012, video 15 min, 16:9 stereo, ed. 5, video still Safeguard Emergency Light System, 2010, video 7 minutes Untitled, 2009, doors, chaines, padlocks, enviromental dimensions, ph. Giorgio Benni Faire le mur, 2008, video 17 min, 4:3 stereo, Le Fresnoy production, edition of 10 + 2 a.p Faire le mur, 2008, video 17 min, 4:3 stereo, Le Fresnoy production, edition of 10 + 2 a.p T’as de beaux vieux, tu sais…, 2007, video 24 min, 4:3 stereo, edition 5 + 1 a.p.